The Top 10 Music Managers In LA

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While artists receive plenty of adoration and critical acclaim, their managers are often under-appreciated. A great manager will keep finances in order, orchestrate schedules, and strategize with artists to map out the trajectory of their careers – no small feat.

Los Angeles is at the epicenter of the music and entertainment world, so it follows that we’d look to this sunny city as we analyze the biggest players in the game. Here are the top 10 LA music managers you should know by name.

1. Mark Gillespie (Three Six Zero)

Known for his discipline, insight, and industry intelligence, this British manager has worked with countless groundbreaking artists throughout the years, spanning musical genres and branching out into television, film, and tech investing.

His company Three Six Zero has a flawless reputation in the City of Angels, where it is headquartered, and continues to expand with new offices overseas. This is one company to watch closely as it rises to the top of a competitive industry in LA and beyond.

2. Irving Azoff (Full Stop Management)

As one of the most recognized names in Hollywood, Irving Azoff has a hand in nearly every aspect of the industry. From humble beginnings managing classic rock acts in the 70s, Azoff has built an empire.

He has also co-produced many successful Hollywood films and currently sits at the head of the renowned Full Stop Management agency in LA.

3. Scooter Braun (SB Projects)

Scooter Braun is one of the few household names who truly does it all in LA. He has brought many young stars to the next level with his insight, guidance, and financial expertise.

Braun currently manages Justin Bieber, Ariana Grande, Carly Rae Jepsen, and other pop superstars.

4. Guy Oseary (Maverick)

This multi-talented manager has found success across every facet of the entertainment industry, from music and TV to film and authorship. Known for managing megastars U2 and Madonna, Oseary started early, joining Maverick records at the young age of 19.

The Prodigy, Paul Oakenfold, and other electronic music visionaries have been under his management as well, and he will remain a Los Angeles legend for years to come.

5. Sal Slaiby (Sal & Co)

After moving to Canada from Lebanon at a young age, Slaiby has built a stellar reputation managing some of the biggest names in hip-hop and R&B.

As the current CEO of the XO record label (home to The Weeknd), he also partners with Maverick Management under the consortium group Sal & Co.

6. Jeffery Azoff (Full Stop Management)

Working under his father and quickly ascending to the top of the music management industry, Jeffrey Azoff has been a prodigy in terms of spotting talent and scoring big deals for clients.

He is best known as the managerial mind behind the solo career of Harry Styles, who has revolutionized pop music across the world.

7. Ron Lafitte (Patriot Management)

Regarded as the greatest metal music manager of the 1980s, Ron Lafitte now heads up Patriot Management, where he handles business and booking affairs for prominent acts such as Usher and Swedish House Mafia.

8. John Silva (Silva Management)

After hitting the big time in the 90s with artists like Nirvana, the Foo Fighters and Beck, John Silva now works with up-and-coming artists to carve out successful careers in the music industry.

On top of his blossoming roster, he still makes time for heavy hitters like St. Vincent and Trent Reznor under his own management company.

9. Ty Stiklorius (Friends At Work)

As one of the most powerful women in the music biz, Ty Stiklorius has a pristine management track record with artists such as John Legend and Raphael Saadiq.

She is also dedicated to building awareness and support for social justice causes like criminal justice reform.

10 Bradford Cobb (Direct Management Group)

Best known for launching Katy Perry’s career back in 2004, Bradford Cobb made a name for himself at a young age. He remains at the top of the LA music management scene with Direct Management Group, which is also home to k.d. Lang and Steve Perry.