This article is republished with permission from Talk Media News.
Washington (Talk Media News) – The Smithsonian’s Air and Space Museum celebrated Earth Day this weekend with a red carpet preview of A Beautiful Planet, a 3D IMAX movie filmed by astronauts aboard the International Space Station.
Gracing the red carpet Friday were writer/director Toni Myers, Director & Regional Rep for the United Nations Environment Programme (UNEP) Panel, Paticia Beneke, Director of Photography and Astronaut Training Manager, James Neilhouse, Deputy Administrator of NASA, Dava Newman, and six current and former astronauts.
Narrated by Jennifer Lawrence, the film celebrates the stunning beauty of the blue Earth while warning of the dire dangers of humanity’s carelessness, including global warming, deforestation and urban sprawl.
After the red carpet, Grunsfeld said that he had seen painfully dramatic environmental changes to the globe when he first traveled to space in the 1990s.
“The effects of climate change since the 1990s has been startling. There are whole swaths of brown that used to be green, most notably near urban areas, the Nile River and the Amazon rainforest. So much devastation in a mere two decades.”
However, he remained hopeful.
“I believe we will change course how we treat Earth and it’s atmosphere,” he said.
While the warning signs were clear, the film offered hope that there is still time to reverse the multiple impacts humanity has had on ‘spaceship Earth’. The film celebrates that beauty throughout.
The breathtaking 3D IMAX footage was captrued due in no small part to the cinematography training and tutelage of James Neilhouse, who taught the astronauts how to be excellent cinematographers.
Neilhouse instructed the astronauts to film long takes leaving plenty of room to edit. He quipped that astronauts are very smart bunch, and he needed to accelerate his teaching methods with them.
“I told the astronauts to shoot more footage than they thought they would need, as digital storage is cheap,” he said. “Not like film where we had be careful with every shot. I told them we could edit it later, which we did dramatically. Only a portion of what we filmed is in the final cut.”
He said that the approach paid off handsomely during filming of a Christmas party in space, and that they were able to catch many unexpected and humorous scenes.
“Teaching astronauts to film is not difficult,” he said. “They pick up on technical stuff quickly. The main thing is to keep them engaged, as they learn faster than most people. Marsha Ivins was a master of technician with still and video cameras.”
Myers knows the strong visceral impact of exciting IMAX imagery, and used it to the maximum degree. The Cupola (ISS module), with its octagonal 80 cm (31 in) window, the largest ever used in space, was a perfect venue for spectacular IMAX imagery, and many shots are made through that window.
“We had so much footage, we were deluged with beautiful imagery, Myers said. “I saw every frame of it. We had to keep the film to 46 minutes, due to audience attention spans and other restraints.”
When asked if she regretted any shot that didn’t make the cut, she thought about it a bit, and replied, no.
After the filming, Myers and the astronauts held an open forum discussing the making of the film. She said that to keep the film to 46 minutes and exciting, a vast majority of the raw footage was cut, leaving only the very best for the audience.
Ivins, who worked on the film as a consultant recalled the day when she became an astronaut. “I was already working at NASA when I applied to be an astronaut,” she said. “I applied three times. I heard from NASA that I was accepted, and I refused to believe it or tell any family or friends until I heard it on the news. Only then could I celebrate.”
“We are not far enough away from Earth in the Space Shuttle to see it as a globe. I tell people if you hold a beach ball out at arm’s length, that is about the perspective you see. We don’t see country borders from space. You see browns, grays, greens, clouds and lots of water, even rivers. At night, lots of lights.”
A Beautiful Planet opens at IMAX theaters April 29.
Douglas Christian was born in Germany and grew up in Boston. He spent a great deal of time growing up with his grandfather, Arthur T. Gregorian, a notable Oriental Rug dealer and importer in Newton Lower Falls, MA. With him, Douglas traveled the world buying rugs in places as diverse as Iran and India. Later, Douglas produced a few books on Oriental Rugs; one was on Armenian Oriental Rugs and the other was published by Rizzoli and co-authored by his uncle entitled, Oriental Rugs of the Silk Route. Douglas attended the Park School in Brookline and Putney School in Vermont, a tiny progressive school in Vermont. He became enthralled with photography and rebuilt a 4×5 camera at Putney. Later during college, he attended the Ansel Adams Workshop at Yosemite, where he determined to pursue photography. He transferred to the School of the Museum of Fine Arts and received a BFA from Tufts. He ran a photographic studio for decades and photographed an array of people including politicos such as William F. Buckley, Jr., George McGovern, Edward Teller and Cesar Chavez. His photography URL is www.photographystudio.com. The pull of life away from family pulled him to try another profession closer to home and he ran a bookstore for several years and later recruited scientists such as Biostatisticians for pharmaceutical companies. His twitter feed is @xiwix His LinkedIn account is
www.linkedin.com/in/proanalysis/. He relocated to Washington, DC with his wife, Ayda Pourasad, a broadcast media librarian.